Motion Detector oil stick on panel 37.5 x 49

Motion Detector oil stick on panel 37.5 x 49

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Artist Biography:
Ann Hubbard was born in Utica, New York in 1950. She received her BFA from Rochester Institute of Technology in 1973 and her MFA from Arizona State University in 1979. Much of her career has been involved with arts education programs; serving as an Artist-in-Residence for the Arizona Commission for the Arts and the Arts Council of Greater Baton Rouge, and as the Art Education Curator for the Louisiana Arts and Science Museum. Since 1997, Hubbard has been an Adjunct Professor in the Department of Art at University of South Carolina, Columbia. Additional college teaching experience includes University of South Carolina, Sumter, Auburn University, Montgomery, Southern Union Community College, Louisiana State University, and Arizona State University.
Hubbard’s work is included in the public collections of Orangeburg Technical College, Federal Reserve Bank, Lamar Dodd Art Center, Chattahoochee Valley Art Museum, CLECO, IBM, Valley National Bank, Charlotte Observer, Centro de Arte Moderno in Guadalajara and various art & educational institutions in Arizona. Hubbard resides in Columbia, SC with her husband, sculptor Robert Lyon.

 

 

Ann Hubbard

portrait of Ann Hubbard

 

Columbia

 

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About the Work:

“As an abstract painter, I have an ongoing fascination with the interplay of visual elements and design principles. With a strong interest in contrast, my objective is to create relationships between such dichotomies as light & dark, smooth & textural, organic & geometric, motion & stillness, weight & balance. My imagery often derives from nature as well as geometry, with the intent to pair contrasting images and content. The abstractions can be read as close-ups or symbols of natural elements with the focus on shape, line, texture, color & pattern and arranged to accentuate the order and rhythm often found in nature. Compositionally, I am intrigued by Asian art and early modern art for its spatial defiance and ambiguity within the picture plane. In my work, I often crop images to create fragmented or sliced formats; flattening and restricting space to establish a sense of tension and mystery.”